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 A Nightmare on Elm Street 1-8

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PočaljiNaslov: A Nightmare on Elm Street 1-8   A Nightmare on Elm Street 1-8 I_icon_minitimeUto 9 Mar 2010 - 22:44

A Nightmare on Elm Street (1984-1994)[1-7]
http://movies.katz.cd/download/5164661/Movie/A-Nightmare-on-Elm-Street-1984-1994/
A Nightmare on Elm Street 2004
http://movies.katz.cd/download/4097077/Movie/The-Nightmare-on-Elm-Street-Collection-2004/

A Nightmare on Elm Street is a 1984 American horror film directed and written by Wes Craven, and the first film of the A Nightmare on Elm Street franchise. The film features John Saxon, Heather Langenkamp, Ronee Blakley, Amanda Wyss, Jsu Garcia, Robert Englund and Johnny Depp in his feature film debut. Set in the fictional Midwestern town of Springwood, Ohio, the plot revolves around several teenagers being terrorized in their nightmares by the ghost of a serial child murderer named Fred Krueger.

Craven produced A Nightmare on Elm Street on an estimated budget of just $1.8 million,[1] a sum the film earned back during its first week.[2] An instant commercial success, the film's total United States box office gross is $25.5 million.[2] A Nightmare on Elm Street was initially met with relatively mixed critical reviews—however went on to make a significant impact on the horror genre, spawning a franchise consisting of a line of sequels, a television series, an upcoming remake and various other works of imitation.[3][4]

The film is credited with carrying on many clichés found in low-budget horror films of the 1980s and 1990s, originating in John Carpenter's 1978 horror film Halloween, including the morality play that revolves around sexual promiscuity in teenagers resulting in their eventual (usually graphic) death, leading to the term "slasher film".[4][5] Critics and film historians argue that the film's premise is the question of the distinction between dreams and reality, which is manifested in the film through the teenagers dreams and their realities.[6] Critics today praise the film's ability to transgress "the boundaries between the imaginary and real",[7] toying with audience perceptions.[8]
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